C.P.E. Bach Studies卡尔·巴赫研究

2006-8  

Cambridge University Press  

Annette Richards 编  

268  

Focusing on his activity in Hamburg from 1767 until his death in 1788, this collection of essays explores the literary and aesthetic contexts of C.P.E. Bach's later work. It includes essays on Bach's position on contemporary concepts of responsiveness, his sacred music and views on religion, and on the contemporary and posthumous reception of his music. The volume seeks to re-establish the centrality of Bach's music in late 18th-century German culture.

ANNETTE RICHARDS is Associate Professor of Music and University Organist at Cornell University. She is the author of The Free Fantasia and the Musical Picturesque (Cambridge, 2001), and co-editor of Acting on the Past: Historical Performance Across the Disciplines (2000).　

List of platesNotes on contributorsAcknowledgmentsList of abbreviationsIntroductionAnnette Richards1　Diderot's Paradoxe and C. P. E. Bach's Empfindungen Richard Kramer2　Dark fantasies and the dawn of the selfi Gerstenberg's monologues for C. P. E. Bach's C minor Fantasia Tobias Plebuch3 Sources of C. P. E. Bach's solo keyboard works in the Sing-Akademie archives Darrell M. Berg4 Reason and revelation in C. P. E. Bach's resurrection oratorio Richard will5 C. P. E. Bach and C. C. Sturm: sacred song, public church service, and private devotion Ulrich Leisinger6 An enduring monument: C. P. E. Bach and the musical sublime Annette Richards7 C. R E. Bach and the living traditions of learned counterpoint David Yearsley8 Plates for sale:C.P.E.Bach and the story of Die Kunst der Fuge David Ferris9 "Our old great favourite":Burney,Bach,and the Bachists Christopher HogwoodIndex

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