达·芬奇传
1998-9-25
William S. Konecky Associates
Daniel Arasse
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Winner of the prestigious Malraux Prize, when first published in France, this landmark study of the artist, thinker and inventor considers the kaleidoscopic nature of this remarkable man. It is fully illustrated with reproductions of all of da Vinci's painted works as well as numerous reproductions from his notebooks on subjects ranging from military fortification to human anatomy.
Daniel Arasse is the author of works on Renaissance art, Mannerism, Vermeer and iconographic analysis. He was director of the Institut Francais in Florence and director of studies at the Ecole des hautes tudes en sciences sociales.
IntroductionLEONARDO TODAYPART ONE An Unfinished Universality Portrait of the Artist as a Philosopher THE TURIN SELF-PORTRAIF THE EDUCATION OF LEONARDO A SCIENCE IN MOVEMENT THE WORLD OF LEONARDO The Courtly Arts "MAESTRO LEONARDO, FIORENTINO, IN MILANO" ARCHITECTURES THE ART OF MACHINES EPHEMERA AND CELEBRATIONPART TWO The Work of Painting THE PAINTER'S DESIGN FROM THE MAGI TO THE THE LAST SUPPER(1475-1500) THE PORTRAITS THE EXPLODED COURP(1500-19)Conclusion LEONARDO AS A PERSONAppendixes TWO NOTES ON LEONARDO AND FREUDNotesBibliographyIndex
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