哈特诗歌和西方文化传统
2007-12
北京世图
张少扬
406
This work argues that Kevin Hart's poetry has a close relationship with western traditions and there are dual realities in Kevin Hart's poetic space， and this space includes the elements of classicism， romanticism，modernisms（cubism，surrealism），dual tradition of theology （positive the-ology and negative theology）， and French post-phenomenological thinking. The dual realities are testified to by some binary pairs in Hart's poetry： the concrete， conscious， definite， familiar， natural， phenomenal， physical，and positive standing side by side with the abstract， higher， ideal， in-definite， intellectual， metaphysical， negative， philosophical， surreal， transcendental， and unconscious. The latter are achieved from the former through a process of transcending or going beyond， and the mediums be tween the two poles of binary pairs are death， denial， denudation， deprivation， dying， idealisation， negation， rejection， transgression， transcendence，and transformation.
Part I Introduc tionSection I IntroductionSection II Ha rt’S Backg round and AchievementsSection III Literatu re Review．1978—2003Section IV MethodologyPart II From Classicism to RomanticismSection I Classical Elements in Hart’S PoemsSection II Hart’S Romantic Internalized QuestPart III Modernisms in Hart's PoemsSection I Elements 0f CubismSection II Elements 0f Su rrealismPart IV Hart's Faith and the Dual Tradition of TheologySection I Positive TheologySection II Negative TheologyPart V Relingion without ReligionSection I Questing fOr“Continuity of Being”through Desi re and DeathSection II Seeking for“Exteriority”th rough TranscendenceSection III Religion without ReligionPart VI Cone husionAttac hments:1.Bibliography2.15poms by Hart in transiation
《哈特诗歌和西方文化传统》由世界图书出版公司出版。
