贝克特戏剧文本中隐喻的认知研究
2012-4
中国社会科学出版社
黄立华
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This book， which is germinated from doctoral dissertation completed in Shanghai Jiaotong University in 2008， is the result of my constant pursuit of theoretical research on Samuel Beckett's Absurd Plays. Volumous studies on Beckett's plays have been conducted in the past decades， from perspectives such as politics， philosophy， aesthetics， deconstructuralism， postmodernism， postconolism， feminism and reader reception， and so on. However， the study of metaphors in Beckett's plays， by and large， has been neglected. Accordingly， this book studies metaphors by basing on Beckett's dramatic texts and analyzing them under multiple metaphorical theories from the cognitive perspective.
黄立华（1964.09-），男，安徽安庆人，博士，副教授，现任南昌航空大学外国语学院教师、硕士生导师。主要研究方向为戏剧文体学研究。参编著作一部：《比翼长生》（苏州：古轩出版社，2005年9月第一版）；翻译两部：《长生殿》连环画（苏州：古轩出版社，2005年9月第一版），《邮票上的江西》（南昌：百花洲文艺出版社，2010年1月第一版）。在国内外核心期刊发表相关论文10余篇。主持完成2011年江西省人文社科课题一项：“贝克特戏剧作品中反讽的认知语用研究”（项目编号：WGW1112），主持并完成2010年江西省社会科学规划项目一项：“后现代文学话语与生态批评研究”（项目编号：10WX22），主持2010年江西省社会科学规划项目艺术类课题一项：“江西傩戏中的符号研究”（项目编号：YG2010071）。目前主要致力于戏剧文本的认知文体学（认知诗学）、戏剧文本的认知叙事学以及戏剧的美学等研究。
ForewordPrefaceChapter One Introduction 1.1 Objectives of this research 1.2 Significance of study 1.3 Methods of study 1.4 The structure of this bookChapter Two Literature Review 2.1 Introduction 2.2 Traditional studies on metaphor 2.2.1 Metaphor in fiction and poetry 2.2.2 Metaphor in drama 2.2.3 Dramatic text and performance 2.3 Contemporary studies on metaphor 2.3.1 Semantic theory of metaphor 2.3.2 Pragmatic theory of metaphor 2.3.3 Cognitive theory of metaphor 2.3.4 Conceptual metaphor 2.3.5 Conventional and novel metaphors 2.4 Metaphor studies of Beckett's plays 2.4.1 Overview of criticism of Samuel Beekett's plays 2.4.2 Overview of metaphor studies on Beckett's plays 2.5 Summary and research questionsChapter Three Emotion Metaphors in Waiting for Godot and Krapp's Last Tape 3.1 Introduction 3.2 Emotion metaphors 3.3 Emotion metaphors in Waiting for Godot 3.4 Emotion metaphors in Krapp's Last Tape 3.5 SummaryChapter Four Time as Space Metaphors in Happy Days and Endgame 4.1 Introduction 4.2 Conceptions of time and space 4.2.1 Keshavmurti on time and space 4.2.2 Alverson on time and space 4.2.3 Lakoff on space and time 4.2.4 Lakoff and Johnson on everyday metaphor 4.3 Time as space metaphors in Happy Days and Endgame 4.4 "Time" and "oblivion" in Waiting for GodotChapter Five Image-Schema Metaphors in EndgameChapter Six Non-verbal Metaphors in Beckett's DramaticulesChapter Seven Findings and ConclusionsBibliography
It has developed powerful new theories about how the mind works， thanks in part to remarkable advances in neuroscience （Damasiol 1994）. Much of the momentum behind preconceptions of the mind also has come from researchers in linguistics confronting old problems of how meaning arises （Lakoff and Johnson 1999）. Theories built on the propositional model turned out to obscure such everyday phenomenon as polysemy， metaphor， analogy， irony and counterfactuals in language-the very field it is supposed to illustrate （Lakoff and Johnson 1980， Gibbs 1994）. At the same time， psychologists and anthropologists began to show how the organization of knowledge at individual and societal levels determines and facilitates the formation of meaning （Dandridge 1984， Blasko and Connine 1993， Strauss and Quinn 1997）. Converging evidence from these several fields shifted toward the radically new view that meaning is constructed by a mind whose work is systematically constructed by our very human experience in and of reality （Johnson 1987）. These cognitive theories show how forms of communication serve as catalysts to make meaning operations including conceptual metaphor， metonymy， categorization， framing， and conceptual blending. In short， meaning is not something we simply find but something we fashion. Fauconnier and Tamer （2002） in particular propose a theory of conceptual integration that effectively explains how the inmate diversity of meaning emerges systematically from a small set of cognitive operations and how musical structure prompts the construction of meaning. We have seen cognitivism's status in music theoretic discourse. In addition， Eduard Hans lick's （1986） formalist ideology. ……
在过去的几十年里，贝克特戏剧的研究非常广泛。研究视角从政治、到哲学、美学、结构主义、后现代主义、后殖民主义、女性主义以及读者接受理论等等。但是，很少有人对贝克特戏剧中的隐喻进行研究。为此，黄立华编著的《贝克特戏剧文本中隐喻的认知研究》从认知的视角对贝克特戏剧中的隐喻进行了研究。
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