行书历代画论选-经典碑帖集字创作蓝本
2012-2
湖南美术
李宏伟
60
《经典碑帖集字创作蓝本》以古代经典文选作品为内容，通过现代计算机技术，将历代经典碑帖行草范字集合在书法作品中，力求风格统一，行气流畅，章法形式多样，既可直接供书法爱好者临摹，又可为其书法创作提供借鉴，集书法与文学价值于一身。本册为草书历代书论选。
【中堂】、【横卷】
顾恺之《论画》· ·····················01
顾恺之《魏晋胜流画赞》· ·················02
顾恺之《画云台山记》· ··················03
朱景玄《唐朝名画录》· ··················04
朱景玄《唐朝名画录》· ··················05
朱景玄《唐朝名画录》· ··················06
王维《山水论》· ·····················07
王维《山水论》· ·····················08
王维《山水论》· ·····················09
张彦远《历代名画记》· ··················10
张彦远《历代名画记》· ··················11
张彦远《历代能画人名》· ·················12
荆浩《笔法记》· ·····················13
黄休复《益州名画录》· ··················14
郭熙《林泉高致》· ····················15
郭熙《林泉高致》· ····················16
韩拙《山水纯全集》· ···················17
韩拙《山水纯全集》· ···················18
苏轼《跋蒲传正燕公山水》· ················19
苏轼《跋宋汉杰画山》· ··················20
米芾《画史》· ······················21
米芾《画史》· ······················22
米芾《画史》· ······················23
米芾《画史》· ······················24
米芾《画史》· ······················25
赵孟頫《松雪论画二则》· ·················26
赵孟頫《松雪论画》· ···················27
汤垕《画论》· ······················28
汤垕《画论二则》· ····················29
黄公望《写山水诀》· ···················30
倪瓒《云林论画》· ····················31
王世贞《艺苑巵言论画》· ·················32
孙鑛《月峰画跋》· ····················33
孙鑛《月峰画跋》· ····················34
恽寿平《南田画跋七则》· ·················35
顾凝远《画引》· ·····················39
顾凝远《画引》· ·····················40
顾凝远《画引》· ·····················41
董其昌《画旨》· ·····················42
董其昌《画禅室随笔》· ··················43
董其昌《画禅室随笔》· ··················44
陈继儒《眉公论画》· ···················45
陈继儒《眉公论画》· ···················46
陈继儒《眉公论画》· ···················47
方薰《山静居画论二则》· ·················48
李日华《竹懒论画》· ···················49
唐志契《绘事微言》· ···················50
唐志契《绘事微言》· ···················51
恽寿平《南田画跋》· ···················52
恽寿平《南田画跋》· ···················53
恽寿平《南田画跋》· ···················54
笪重光《画筌二则》· ···················55
董其昌《画旨四则》· ···················56
【扇面】
黄公望《写山水诀》· ···················58
黄公望《写山水诀》· ···················59
汤垕《画论二则》· ····················60
临摹是书法学习中的重要手段，也是不可逾越的途径。从古至今，所以的书法大师都是以临摹的方式，站在前人的肩膀上而最终获得成就的。当然，临摹的最终目的还是创作。那么，我们如何创作？如何从临摹过渡到创作？基于此，我们特别策划了《经典碑帖集字创作蓝本》这套书，聘请国内一流学者和著名书家共同编撰，在文字内容上力求经典，在书法风格上力求和谐，同时兼顾形式的丰富多样。——胡紫桂
免去了查字典的幸苦。对于创作有很大帮助。
这套书都是好书。
给朋友买的，很满意，快递也很快