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文学批评方法手册

古尔灵 外语教学与研究出版社
出版时间:

2004-5  

出版社:

外语教学与研究出版社  

作者:

古尔灵  

页数:

414  

Tag标签:

无  

内容概要

本书是一本文学批评方法的普及读本,既有批评方法的阐述,又有实践应用的例证。第一版于20世纪60年代中期出版,此后我次修订再版,并被译成西班牙文、葡萄牙文、日文、朝鲜文等多种文字。此次出版的是1999年修订的第四版,既包含了传统的批评方法,也囊括了20世纪60年代以后的新的批评方法,如:读者反应批评、文化批评、女性主义批评,等等。对于初学文学批评的人来说,这是一本极好的参考书。

书籍目录

Preface 1.Getting Started:The Precritical Response Ⅰ.Setting Ⅱ.Plot Ⅲ.Character Ⅳ.Structure Ⅴ.Style Ⅵ.Atmosphere Ⅶ.Theme2.Traditional Approaches Ⅰ.Nature and Scope of the Traditional Approaches A.textual Scholarship:A Prerequistite to Criticism B.Types of Traditional Approaches Ⅱ.The Traditional Approaches in Practice A.traditional Approaches to Marvell's "To His Coy Mistress" B.Traditional Approaches to Hamlet C.Traditional Approaches to Adventures of Huckleberry Finn D.Traditional Approaches to "Yong Goodman Brown" E.Traditional Approaches to "Everyday Use:for your grandmama"3.The Formalistic Approach Ⅰ.Reading a Poem:An Introduction to the formalistic Approach Ⅱ.The Process of Formalistic Analysis:Making the Close Reader Ⅲ.A Brief History of Foumalistic Criticism Ⅳ.Constants of the Formalistic Approach:Some Key Concepts ,Terms,and Devices Ⅴ.The Formalistic Approach in Practice Ⅵ.Limitations of the Formalistic Approach4.The Psychological Approach:Freud5.Mythological and Archetypal Approaches6.Feminist Approaches7.Cultural Studies 8.Additional ApproachesAppendises Index

章节摘录

  The framework of the plot is, then, a journey -a journey from north to south, a journey from relative innocence to hor-rifying knowledge. Huck tends to see people for what they are, but he does not suspect the depths of evil and the per- vasiveness of sheer meanness, of man's inhumanity to man, until he has completed his journey. The relative harmlessness of Miss Watson's lack of compassion and her devotion to the letter rather than the spirit of religious law or of Tom's incur-able romanticism does not become really sinister until Huck reenters the see nungly good world at the Phelps farm, a world that is really the same as the "good" world of St. Petersburg-a connection that is stressed by the kinship of Aunt Sally and Aunt Polly. Into that world the values of Tom Sawyer are once more injected, but Huck discovers that he has endured too much on his journey down the river to become Tom's foil again.  Only the great, flowing river defines the lineaments of other-wise elusive freedom; that mighty force of nature opposes and offers the only possible escape from the blighting tyranny of towns and farm communicates. The Mississippi is the novel's major symbol. It is the one place where a person does not need to lie to him self or to others. Its ceaseless flow mocks the static, stultifying society on its banks. There are lyrical passages in which Huck communicates, even with all his colloquial limita-tions, his feelings about the river, its symbolic functions, as in the image-packed description that follows the horrors of the Grangerford-Shepherdson carnage (ch. 19). In that memorable passage Huck extols the freedom and contemplation that the river encourages. In contrast to the oppressive places on land, the raft and the river promise release: "We said there warn't no home like a raft, after all. Other places do seem so cramped up and smothery, but a raft don't. You feel mighty free and easy and comfortable on a raft."  Like the river, Huck's narrative flows spontaneously and ever onward. Around each bend lies a possible new adventure; in the eddies, a lyrical interlude. But the river always carries Huck and Jim out of each adventure toward another uncertain try for freedom. That freedom is never really achieved is a major irony, but the book's structure parallels the river's flow. The separate adventures become infinite variations upon (repetitive forms of) the quest for freedom. That the final thwarting of freedom is perpetrated by the forces of St. Peters-burg, of course, is no fault of the river or its promise of free-dom; it simply seems that membership in humanity generates what we have elsewhere called the crcular pattern of flight and captivity.  ……


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这本书将西方的基本文学批评方法作了介绍,还有许多值得回味的观点。细读下来,颇为受用。只是在读了该书之后,如果有自己喜欢的批评流派,可以找更多相关书籍进行研读。简单易懂,对于我们这些初学者而言,很容易上手。


真的是一本经典的文学批评书,翻译学以及文学翻译方向的人士可以学习,很好的


这本书作为文艺学比较诗学方向的学习文学批评的入门书籍还是很不错的。希望大家像我一样喜欢它!


书本是按照文学批评的几个大方面来讲的,主要通过几部作品来具体体现,这本书有中文版,可以配着看


很不错,就是有点难,我还没有看完,但是关于文学批评的内容几乎都涉及到了。老师也极力推荐我们去看。要想学好文学批评的话,这本书倒是必备的。


几种基本的批评方法及其操作都有。


很好 适合文学方向的学生或学者


对文学感兴趣的人,这本书值得一看!


很适合做文学研究


对于入门来说不错


文艺理论的入门书


这本书的特点是系统并且有例子,可以给入门者以很好的参考。


很不错的一本书,内容很具体,不过是英文版的需要细细研读。


名家经典之作,值得细读


有理论有实例,很适合初学者。


不过,不知道为啥,好像还没中文本,可能引进的人觉得里面的英文比较简单吧。。


这本书,一定是对其中所写的五篇文章熟悉,看这本书会收获不少,英文功底要好才看的懂,不然就像是看天书了


书的质量很好,正是我需要的那本书.发货挺快的.


写的真的很好!


一切都非常好,速度快,24小时就到了,质量相当好!


给朋友买的,不错,就是快递员可能是觉得天太热了,老是晚上送货。


perfect and profound


Veygood,itisveyusefulfoliteatueeseach~~


学专业英语必备


书是正品,且客服态度很好。


内容很好 但是运输过程中背面有些磨损 其他还行


纠结了好久才买的,老师上课用的,老师也极力推荐


书是帮同学买的,他表示很满意,质量很好,是正版。发货速度和预期的差不多,快递员服务态度很好。顶一个!!


上课用的 全班一起定的 9本 还没看 估计不错


书就是想要的,质优价廉


货到的很快!书的质量不错!


适合英语专业的童鞋


质量很好,书很有用


老师要求买的教材 还不错 不过上完课就没再看了


里边有很多实例,对于初学文学评论的人很有帮助


帮同学买的。她很喜欢文学方面的东西。


据说是搞英语文学的必备书目,但还未着手去阅读


还可以,尤其是精神分析中荣格部分弥补了有些书,只是相比塞尔登,稍显深刻、条理。


劝诫各位想买的买家慎重吧~~别费这个钱~~很多都可以在网上找到的~~当然有学术需要,用于研究或是想买来收藏的除外~~


个人觉得这本书编撰的很认真。只是由于是适合于美国大学本科生的,所以,对于我还是有一定难度的。但是只要下功夫认真研读,是会受到启发的。


到货快,非常不错的一本书


书味太重了。


我又以为是中文版的,原来是英文版的


有条理,很专业


书的质量不错,各方面的满意。适合专业人员阅读


算是读研时专业必败用书,里面有不少详细例子


国外本科大学生的读物,语言难易适中,非常值得一读


虽然是老师推荐的书,但内容较深,适合英语较强的读者。其他方面,设计合理,有理论有应用,如果加强英语阅读能力后来阅读,应该是让人受益匪浅的一本好书。


这本书是在我们课程的RE*****LIST上面是老师要求买的书还不错内容就是难了点


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