室内设计理论读本 INTIMUS
2006-12
John Wiley & Sons Inc
Taylor, Mark (EDT)/ Preston, Julieanna
408
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Walter Benjamin observed in his writings on the interior that 'to live means to leave traces.' This interior design theory reader focuses on just how such traces might manifest themselves. In order to explore interior design's links to other disciplines, the selected texts reflect a wide range of interests extending beyond the traditional confines of design and architecture. It is conceived as a matrix, which intersects social, political, psychological, philosophical, technological and gender discourse, with practice issues, such as materials, lighting, colour, furnishing, and the body. The anthology presents a complex and sometimes conflicting terrain, while also creating a distinct body of knowledge particular to the interior. Locating theory on the interior through these multifarious sources, it encourages future discourse in an area often marginalised but now emerging in its own right. Within the reader individual excerpts are referenced to their place in the matrix and sequenced alphabetically. This organising strategy resists both a chronological and themed structure in order to provoke associations and inferences between excerpts. In this way the book offers the possibility of examining the interior from multiple vantage points: a disciplinary focus, the spatial and physical attributes of interiors, historical sequence, and topical issue based. Excerpts from Thomas Hope, Catherine E. Beecher and Harriet Beecher Stowe, Edith Wharton and Charles Eastlake provide contemporary nineteenth century accounts as the profession emerges, whereas Barbara Penner, Penny Sparke, Charles Rice, Georges Teyssot and Rebecca Houze offer re-interpretations of this period. The complexities of the twentieth-century interior are revealed by Robyn Longhurst, Kevin Melchionne, George Wagner, John Macgregor Wise, Joel Sanders and many others.
Julieanna Preston is a Senior Lecturer of Interior Design at the College of Creative Arts, Massey University, Wellington, New Zealand. This book extends her interdisciplinary practice and commitment to further developing interior design as a spatial art and intellectual endeavour.
Proximities Mark Taylor and Julieanna PrestonMatrix KeyThe Partition of SpaceThe Dialectics of Outside and InsideThe Sterility of Perfection + The Rule Breaker’s SuccessChromophobiaStructures of AtmosphereA Christian HouseThick Edge: Architectural Boundaries and Spatial FlowsA Wall of Books: The Gender of Natural Colors in Modern ArchitectureA House for Josephine BakerBodies and MirrorsMovement and Myth: the Schröder House and Transformable LivingSpatial StoriesSuitability, Simplicity and ProportionOn the Means by which Repose is Attainable in DecorationVolatile ArchitecturesThing-ShapesThe Dining RoomMen’s Room‘Decorators May be Compared to Doctors’Berggasse 19: Inside Freud’s OfficeToward a Feminist Poetics: Infection in the SentenceWoman’s Domestic BodyNotes on Digital Nesting: a Poetics of Evolutionary FormFaith and Virtuality: A Brief History of Virtual RealityThinking of Gadamer’s FloorBuildings and their GenotypesHousehold Furniture and Interior DecorationFrom Wiener Kunst im Hause to the Wiener WerkstätteWherever I Lay My Girlfriend, That’s My HomeInteriors: Nineteenth-Century Essays on the ‘Masculine’ and the ‘Feminine’ RoomTables, Chairs, and Other Machines for ThinkingOn the Loss of (Dark) Inside SpaceSocial, Spatial and Temporal FactorsWiener Wohnkultur: Interior Design in Vienna, 1910–1930(Re)presenting Shopping Centres and Bodies: Questions of PregnancyThe Tyranny of TasteStreamlining: The Aesthetics of WasteThe Architecture of Manners: Henry James, Edith Wharton and The Mount‘House Beautiful’: Style and Consumption in the HomeLiving in Glass HousesDustColour and MethodOrdering the World: Perceptions of Architecture, Space and TimeA World of Unmentionable SufferingThe ApartmentA Kitchen as a Place to BeMaking Charleston (1916–17)The Clubs of StJames’s: Places of Public PatriarchyRethinking Histories of the InteriorDesigning the Dinner Party‘Hi Honey, I’m Home’Curtain WarsProductions of Incarceration: The Architecture of Daniel Paul SchreberOrnament and Order‘The Things that Surround One’Decorating CultureIn Praise of ShadowsArchitecture and Interior: A Roam of One’s OwnBoredom and Bedroom: The Suppression of the HabitualVisitorsThe Chic Interior and the Feminine ModernInside Fear: Secret Places and Hidden Spaces in DwellingsThe Pleasure of ArchitectureDomestic Doyennes: Purveyors of Atmospheres Spoken and VisualThe Lair of the BachelorUltrasuedeThe Historical TraditionHome: Territory and IdentityThe Material Value of Color: The Estate Agent’s TaleIndex
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