Complete String Quartets柴可夫斯基弦乐四重奏全谱

1994-12-2  

Dover Publications  

Peter Ilyitch Tchaikovsky,Alexander Borodin  

236  

Although the string quartet was a rarely used form in 19th-century Russia,Tchaikovsky and Borodin both produced superb, inventive compositions in the genre. Included in this volume are the three quartets by Tchaikovsky and the two by Borodin. Tchaikovsky's String Quartet No. 1 in D, Op. 11, is notable for itsimaginative freshness and world-famous Andante cantabile movement. His Quartet No. 2 in F, Op. 22, displays remarkable fluency and skilled craftsmanship, while Quartet No. 3 in E-flat Minor, Op. 30, combines austerity with deeply felt intensity and vigor. Borodin's two string quartets are characterized by his impeccable craftsmanshipand expert understanding and use of his instruments. The popular String Quartet No. 2 is especially known for the luxuriant richness of its third movement "Nocturne." Now all five works are available in this handsome, inexpensive edition, reprinted from authoritative scores.

PETER ILYITCH TCHAIKOVSKY: THREE STRING QUARTETS Quartet No. 1 in D Major, Op. 11 (1871) I. Moderato e semplice—Allegro non troppo ma con fuoco II. Andante cantabile lII. Scherzo: Allegro non tanto e con fuoco IV Finale: Allegro giusto—Andante—Allegro vivace Quartet No. 2 in F Major, Op. 22 (1874) I. Adagio—Moderato assai II. Scherzo: Allegro giusto III. Andante rna non tanto—Pochissimo piu mosso IV Finale: Allegro con moto—Piu mosso Quartet No. 3 in E-flat Minor, Op. 30 (1875?) I. Andante sostenuto—Allegro moderato—Andante sostenuto II. Allegretto vivo e scherzando III. Andante funebre e doloroso, ma con rnoto IV Finale: Allegro non troppo e risoluto—(quasi andante)—VivaceALEXANDER BORODIN: TWO STRING QUARTETS Quartet No. 1 in A Major (1877-8) I. Moderato—Allegro 141 II. Andante con moto—Fugato: Un poco piu rnosso Ill. Scherzo: Prestissimo—Trio: Moderato [Scherzo da capo] IV Andante—Allegro risoluto—Piu animato Quartet No. 2 in D Major (1880?) I. Allegro moderato—Anirnato—Tempo I—Animato—Tranquillo 189 II. Scherzo: Allegro—Meno mosso—Tempo I—Vivace III. Notturno: Andante—piu mosso—Ternpo l IV Finale: Andante—Vivace—Andante/Vivace [etc, simile]

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