中国家具
1970-1
五洲传播出版社
张晓明
145
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Step into the magnificent Imperial Palace in Beijing andfeast your eyes on the throne and screen with dragon and phoenix designs. Walk into the Qiao Family GrandCourtyard in Shanxi and caress the rough and simple tables andchairs. Wander around Wu Town, a small town along the lowerreaches of the Yangtze River in Zhejiang, and find king-sizeantique beds with intricately carved patterns. Stroll through theclassical gardens of Suzhou dotted with exquisite furniture. In allthese places you might wonder how the ingenious and delicatefurniture was designed, created, painted, decorated, maintainedand left in its current state.You also might wonder who was the proud owner of thesepieces. Was it an emperor with great talent and bold vision？ Wasit a patriotic and unlucky literati, a rich merchant, or a simpleordinary person？ You might wonder what kind of life the ownerlived and experiences he went through.Or maybe you are not conscious of anything but prefer tosimply indulge in the details of the furniture of their color,luster, feel, surface, body, leg and foot, shape, outline, line andframework.
Chinese Furniture is an outstanding representative of the Chinese arts. It has the bright feature of oriental arts and is honored as a pearl in oriental arts. As for the unique feature of Chinese furniture, some say it can completely give full play to the inborn nature of wood and display the beauty of the texture of wood. Some say it has perfect artistic shape. Its lines are delicate, easy and smooth and its structure reasonable and elegant. Some say its producing technique is superb, tenon and mortise precise and decorations elegant.Some say it has long historical grace, elegant artistic style and colorfulcharm...
Zhang Xiaoming Born in Weifang，Shandongprovince in 1 971．Zhang iS now the associateprofessor Of the Art School Of ShandongUniversity of Technology．In 2000，she gainedMaster'S Degree of Literature from BeijingNormal University．In 2005．she won Doctor'sDegree of Chinese Literature from ShandongUniversity．She began to work at the mobilestation for post-dorodaI students at the Historyand Culture School of Shandong University in2006．She iS mainly engaged in the research0f history and culture．She has published manyessays on the national academic periodicalsand one academic book．
Preface Long History Bronze and Lacquered Wooden Furniture in the Shang and Western Zhou Dynasties Dwarf Furniture Centered with Bed in the Qin and Han Dynasties New Lifestyles Initiated by Cultural Exchange in the Wei,Jin & Northern and Southern Dynasties Transition Stage of Furniture of Different Heights during the Sui and Tang Dynasties as Well as the Five Dynasties High Furniture Centered with Table, Chair and Stool in the Song andYuan Dynasties Ming-style Furniture of Hardwood--Classical Furniture during the Ming Dynasty Qing-style Furniture a Classic from the Qing Dynasty Lingering Charm of Wood Texture Hardwood is Valuable Rare and Magnificent Hardwood Plain and Practical Softwood Other Materials for Furniture Smart Structure and Precise Shape Tenon-and-mortise Work--the Core Technique of the Chinese Furniture Overall Furniture Structure Originating from Traditional Architecture Furniture Forming Components Originating from Traditional Architecture Reasonable Dimension and Elegant Patterns Exquisite Design: Decoration Most Common Decoration Method Hot Wax Setting Lacquer Decorations with Complete Techniques Most Common Decoration Method-engraving with Special Care Magnificent Inlay Popular Decoration of Structural Components Varieties of Moldings Exquisite and Glittering Metal Components Interesting: Patterns Beds Tables Chairs and Stools Cabinet-type Furniture Boxlike Furniture lO Screens Rack Furniture Root Furniture Profound Significance: Culture Regional Furniture with Diversified Styles Ming-style Furniture Designed by Scholars Theory That "Man Is an Integral Part of Nature" Embodied in Furniture Ritual System Embodied in the Traditional Furniture Subjects of Decoration Symbolizing Good Luck Making a "Home" for the Furniture Indoor Layout of Chinese Furniture Chinese Furniture in Western Countries Appendix: Chronological Table of the ChineseDynasties
插图：Han Tomb at Mawangdui, Changsha, Hunan province, had a 60cm by 40 cm surface and a flat base. It was supported by 2-cmdwarf feet at each corner. It was 6 cm in height. The surface ispainted with a pattern of double panes of black and red lacquer.An elegant cloud pattern painted with red and sage green onblack ground flows across the panes and the table center.Most chests and cabinets used for storage are small andexquisite. Early large wardrobes look like small woodedstoreroom with a roof on the top——similar to storage rooms.According to written records, the huchuang brought from thewestern regions exerted great influence on the traditional lifestyleof the Chinese people during the Eastern Han Dynasty （25-220）.The huchuang is a kind of seat used on horses by minoritiesfrom the northwest. It is collapsible and portable and eventuallyevolved into a folding chair. The huchuang changed the habitof sitting on the ground, it helped raise the height of desks andtables and encourage the shift from dwarf furniture to highfurniture.
《中国家具》由五洲传播出版社出版。
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