重写与颠覆
2008-4
四川大学出版社
靳涵身
239
约翰·厄普代克是美国当代著名小说家、文论家、诗人，不仅成果累累，且文采熠熠，几乎揽获美国所有的文学大奖，被誉为世界最佳英语小说家之一。其文坛地位祓认为与霍桑和纳博科夫等大师齐名。《重写与颠覆：约翰·厄普代克“《红字》三部曲”之互文研究》研究的对象是厄普代克“《红字》三部曲”——《整月都是礼拜天》（1975）、《罗杰教授的版本》（1986）、《S.》（1988）与霍桑《红字》（1850）之间的互文关系。其主要任务是：（1）考证二者之间的互文事实；（2）梳理厄普代克互文小说的创作方法；（3）品评其互文艺术的特点；（4）甄别其世界观在这几部作品中的体现；（5）提高对美国社会文化的认识。
IntroductionChapter 1 Intertextuality and Its Critical Approaches1.1 The Theory of Intertextuality1.2 Critical Approaches for Intertextual InvestigationChapter 2 Imitative Intertextuality: The Prototypal Elements2.1 Archetypal Projections in the Myth of Eden: The Shared Prototypes2.1.1 Archetypal Projections in the Myth of Eden2.1.2 Prototypes from the Myth of Eden for The Scarlet Letter2.1.3 Direct Connections of Updike's Trilogy with the Myth of Eden2.2 Prototypes for Updike's Trilogy Deriving from The Scarlet Letter2.2.1 The Prototypal Characters2.2.2 The Thematic Prototypes2.2.3 The Symbolic PrototypesChapter 3 Derivative Intertextuality: The Extended Elements3.1 Revelation of Unpublicized Details3.2 Exposure of Characters behind the Scenes3.3 Segmentation of Characters3.4 Prequel/Sequel Scenarios3.5 Paratextual IntertextualityChapter 4 Subversive Intertextuality: The Aggressive Elements4.1 The Common Topics4.2 Hawthorne's Attitudes and Opinions4.3 Updike's Attitudes: Agreements and Subversions4.3.1 The Agreed Elements4.3.2 The Subverted ElementsChapter 5 The Updikian Intertextual Narration: An Assessment5.1 Rewriting Classics: A Specialty of Updike5.2 The Updikian Intertextual Narration: Aesthetic Concerns5.3 Updike's Voice: Thematic Concerns5.3.1 Sex and Adultery5.3.2 Religious Matters5.3.3 Women's LiberationConclusionNotesWorks Cited
