Masses Nos. 5 And 6 in Full Score (平装)

1995-9  

Dover Publications (1995年11月1日)  

Franz Schubert  

324  

In the autumn of 1819, refreshed from a three-month stay in the Austriancountryside, Franz Schubert returned to Vienna to begin one of his major choralworks, the great Mass in A-fiat Major. Completed three years later, this work hasbeen praised as a grand harmonic adventure with deeply affecting moments of rarepoignance. Along with the Mass No. 6 in E-flat Maior, it is the most performed ofSchubert's masses. The latter work--composed in 1828, the year of his death wasamong the final musical achievements of Schubert's brief life. It is especiallymemorable for its touching commemoration of the birth of Christ in a hauntinglullaby, and its powerful evocation of the cruel spectacle of the crucifixion. Both masterworks of church music have been reprinted from the definitive Breitkopf & Hartel Critical Edition of 1884-1897. Separate English translations of the Latin texts are provided.

Texts and TranslationsNotes viiiInstrumentation: Mass No.5Instrumentation: Mass No.6Mass No.5 in A-flat Major (D678) For solo vocal quartet, chorus and orchestra with organ [Composed 1819-22.1st edition published 1875; 2nd edition, 1887.] Kyrie Gloria Credo Sanctus Benedictus Agnus Dei Supplement 1: Cure sancto Spiritu Supplement II: Second Version of the HosannaMass No.6 in E-flat Major (D950) For solo vocal quartet,* chorus and orchestra [Composition begun June 1828.Published 1865.] Kyrie Gloria Credo Sanctus Benedictus Agnus Dei

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