Der Rosenkavalier in Full Score施特劳斯《蔷薇骑士》全谱

1981-1  

Dover Pubns  

Richard Strauss  

518  

This superb edition of Richard Strauss's Der Rosenkavalier, one of the greatestmasterpieces in the operatic repertoire, is reprinted complete and unabridged froma rare, limited and numbered edition approved by Strauss and prepared by hispublisher, Adolph Frstner, prior to the opera's premiere in Dresden in 1911. Available for the first time in inexpensive format--at far less than the cost of any comparable full-score edition--this volume offers an easy-to-read score, with wide margins, large noteheads and many other helpful features. Carefully printed and sturdily bound, it will provide a lifetime of pleasurable use to professional and amateur musicians as well as those who delight in following, score in hand, a live orrecorded performance. Der Rosenkanalier is the most popular operatic work of the Bavarian composer inwhose operas, songs and symphonie poems the aesthetics of the Romantic movement were to reach their ultimate expression. A radiant and bittersweet celebration of love, it was Strauss's most successful collaboration with the illustrious Austrian poet Hugo von Hofmannsthal, and was an immediate sensation. Audiences then, as now, were enthralled by the melodie glories of Der Rosenkava-lier's vocal ensembles, the richness of its orchestration, the sophistication of itslibretto, its 18th-eentury Viennese setting, and the charm and depth of itscharacters. Throughout, it reveals the composer's bravura post-Romantic style,which was to influence numerous composers and to mesmerize audiences around the world. It remains today one of the most performed and recorded of all operatic works.

Glossary of German Musical Terms in the ScoreCharactersInstrumentationFirst Act Wie du warst！ Wie du bist！ （Octavian） Marie Theres'！--Octavian！（Octavian, Marschallin） Baron Ochs's Entrance The Levee Di rigori armato （Singer） Ach！ Du bist wieder da? （Marschallin）Second Act Mir ist die Ehre widerfahren （Octavian） Baron Ochs's Entrance 208 Mord！ Mord！ Mein Blut, zu Hilfe！ （Baron） Da lieg' ich （Baron）Third Act Hab'n Euer Gnaden noch weitre Befehle? （Innkeeper） Nein, nein, nein, nein！ I trink kein Wein （Octavian） Er ist es！ Es ist mein Mann！ （Annina） Entschuld'gen Euer Gnaden （Waiters） Hab' mir's gelobt （Marschallin, Sophie, Octavian） Ist ein Traum--Sptir' nur dich （Sophie, Octavian）

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